Posts Tagged "Julia Blake"
Behind the Words: Joshua Scott Ricker
Joshua Scott Ricker’s “I’m an Asshole: Marathon Monday” is a bravely written essay that explores regret and fear on the sidelines of the Boston Marathon. He is the author of Hephaestus: A Modren Affair, which can be found on Amazon. Julia: In “I’m an Asshole: Marathon Monday” you seamlessly shift the tone of your work from frivolity to contrition and concern, which I would suspect captures a slice of many experiences that day—normality followed by its complete toppling. What helped you to decide that this would be the focus of your piece on the Boston Marathon bombings? Joshua: When we made those jokes to the runners about Copley...
Read MoreBehind the Words: Jennifer Crystal
Jennifer Crystal’s “Thank God for Naps,” published in the “Beanstalks” section, illustrates how terror and compassion coexisted on the day of the Boston Marathon bombing. Jennifer is enrolled in Emerson College’s MFA program, and she writes for the websites Lyme Disease and Tick-Borne Disease Alliance. Her website can be found here. Julia: “Thank God for Naps” pulls the reader fully into your emotional journey the day of the bombing. We feel your uncertainty at first, then the dread and horror. We also experience the comfort that you found with your friends that day—the comfort of food, the comfort of safe harbor, the comfort of...
Read MoreBehind the Words: Krysta Voskowsky
Krysta Voskowsky contributed her essay “When She Closes Her Eyes” to Spry’s “Beanstalks” section, which provided a space for writers to explore their reactions in the aftermath of the Boston Marathon bombing. Krysta’s piece is one that is sure to stay with the reader: it is raw, it is brave, and it is vivid. Krysta is earning her MFA from Emerson College, and she blogs here and also for NoshOn.It. She is currently at work on her memoir. Julia: “When She Closes Her Eyes” was written following the Boston Marathon bombings and is constructed in such a unique way that with each reread something new is discovered. So much emotional ground is covered in...
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