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- 1963
- 3
- A Clean Cut
- A LIGHT IN MARGATE
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- After the Flood
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- Bad Translation
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- Clockwork Overture
- Complicity
- Diaphonous
- Does My Slashed Achilles Tendon Make Me More Feminine
- Erasure
- Frida Kahlo and Other Women with Missing Parts
- From Slag to Sanctuary: A Daughter Reflects
- Gathering
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- I began making resolutions*
- I Put On My Mother’s Coat and Her Dreams Fell Out
- Issue 01
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- All That Glitters
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- I Knew You
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- Johnny Worked the Carnival
- Jojo Is Finding His Way
- Last Offices
- Note from the Editors
- Pasture Statues
- Post-Scripts I Delete When I Email You to Tell You I Found Your Novelty Nicolas Cage Sock Behind the Dryer
- Questions for the Orca J35 Tahlequah
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- Someone I Barely Knew Died
- The Great Listener
- The Sun Birds
- To Cheer You Up
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- Viola
- When the Fathers Were Gone
- Issue 13
- Lamb Chops
- lamictal love song
- Mano Po
- My Sister Wants To Know
- Noelie and Her Beehives
- Notes from the Editors
- Notes from the Editors
- One Painting
- o—o—o
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- Song for Your Broken Heart
- Spring of Cicadas
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- Telemarketer Loneliness
- Tell Your Doctor
- The ABCs of Writing Series
- The Firewalkers
- The Flight Attendants
- The Ghost Farmer’s Girl
- The Last Leaf at Myrtle Beach
- The Moment After the Moment of the Splash
- The Ship
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- The Warmth of her Bread
- Theoretical: a bird falls from the nest
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Spry Literary Journal
3
Guliz Mutlu loves the carved images on the early Minoan seal stones, they are inscrutable, grotesque. Mediterranean is her culture, heritage. Is she in love with art? Since she has been drawing. She draws on the newspaper or a book page, listening to the kitchen radio, rainfall. She draws to love, she draws to do and she draws to hope for. She keeps her imagination close to her heart. The real art in life is between hanging on and letting go. She hangs on art in life. Is this her gratitude? She believes in life and art is at its core.