- About Us
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- 1963
- 3
- A Clean Cut
- A LIGHT IN MARGATE
- ABC’s of Fiction Writing
- ABC’s of Writing (for Beginners)
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- ABCs of Flash Writing
- ABCs of Poetry
- After the Flood
- After the Rain
- Aubade for Aging
- Bad Translation
- Borderlands
- Cliff Diver
- Clockwork Overture
- Complicity
- Diaphonous
- Does My Slashed Achilles Tendon Make Me More Feminine
- Erasure
- Frida Kahlo and Other Women with Missing Parts
- From Slag to Sanctuary: A Daughter Reflects
- Gathering
- Hallelujahs
- Harold
- Hibiscus Remembered
- Hodges
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- House Centipede
- How to Commit Arson and Not Get Caught
- I began making resolutions*
- I Put On My Mother’s Coat and Her Dreams Fell Out
- Issue 01
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- All That Glitters
- At Fourth and Union
- Basement II
- Bloom
- City of Robins
- Counting Cars
- I Knew You
- Japanese Garden Dawes Arboretum
- Johnny Worked the Carnival
- Jojo Is Finding His Way
- Last Offices
- Note from the Editors
- Pasture Statues
- Post-Scripts I Delete When I Email You to Tell You I Found Your Novelty Nicolas Cage Sock Behind the Dryer
- Questions for the Orca J35 Tahlequah
- Roads
- Someone I Barely Knew Died
- The Great Listener
- The Sun Birds
- To Cheer You Up
- Twenty Ways to Make Your Marriage Work
- Viola
- When the Fathers Were Gone
- Issue 13
- Lamb Chops
- lamictal love song
- Mano Po
- My Sister Wants To Know
- Noelie and Her Beehives
- Notes from the Editors
- Notes from the Editors
- One Painting
- o—o—o
- Perspectives
- Prime Numbers
- Shame Catcher
- Song for Your Broken Heart
- Spring of Cicadas
- Sunlit
- Telemarketer Loneliness
- Tell Your Doctor
- The ABCs of Writing Series
- The Firewalkers
- The Flight Attendants
- The Ghost Farmer’s Girl
- The Last Leaf at Myrtle Beach
- The Moment After the Moment of the Splash
- The Ship
- The Talk
- The Thing With Feelers
- The Warmth of her Bread
- Theoretical: a bird falls from the nest
- Waves
- You Can See the Prison from the Community College
- Briefs Blog
- Special Issue: Spry Lit x The Poetry of Science
- Submissions Guidelines
Spry Literary Journal
Bloom
Mohamed Elhassan is a senior at Hammond High School in Columbia, Maryland, originally born and raised in Sudan. His work mainly incorporates his strong views on animal rights, nature, and climate change in its visual metaphors. He has been published in the Interlochen Review, Riggwelter Press, COUNTERCLOCK, and more. His work has also been recognized by the Scholastic Art & Writing Awards as well as being displayed in galleries and shows. Aside from art, he enjoys splashing in puddles and listening to midnight rain showers.